What Is Tim Dillon's Net Worth?
Tim Dillon is a stand-up comedian, actor, and podcaster from the U.S. with a net worth of $12 million. He runs his own podcast called "The Tim Dillon Show" and was featured in the Netflix series "The Comedy Lineup" back in 2018, where he also took on the role of executive producer for his episode. On the acting front, Tim has been in movies like "Boston Psychiatric" (2009) and "Timing" (2020), as well as TV shows such as "Above Average Presents" (2016), "Thanksgiving" (2016), and "You Didn't Want to Know" (2018). In 2017, he made it onto "Rolling Stone" magazine's list of "10 Comedians You Need to Know."
Patreon Earnings
Tim Dillon is currently one of the top earners on Patreon. Back in late 2020, he was making around $14,000 a month from the platform. By the end of 2021, that number skyrocketed to $180,000 monthly. Now, he's raking in between $200,000 and $250,000 each month from Patreon.
Early Life
Tim Dillon, born Tim J. Dillon on January 22, 1985, hails from Island Park, New York. His parents split up when he was young, and his mom later faced a diagnosis of schizophrenia. Interestingly, Tim's second cousin is Robert Lopez, an EGOT winner known for co-creating the hit Broadway shows "Avenue Q" and "The Book of Mormon," as well as writing songs for Disney's "Frozen," "Frozen 2," and "Coco."
As a kid, Tim dabbled in acting and even made an appearance on "Sesame Street" back in 1994. During a 2020 chat on "The Joe Rogan Experience," he reminisced, "I was a child actor as a kid and I failed. I was on Sesame Street twice. I did the polka with Snuffleupagus."
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Career
Tim kicked off his stand-up comedy journey around 2010 and landed a gig as a tour guide in New York City. By 2016, he was performing at the Just for Laughs festival in Montreal and made appearances on shows like "Comedy Knockout," "The Chris Gethard Show," and "The 2016 Chris Gethard Election Special." Between 2016 and 2017, Dillon was featured in eight episodes of "Red Eye w/Tom Shillue."
In 2018, he took on a role in the short film "Anything Boys Can Do," sharing the screen with fellow comic Nikki Glaser. Tim also showed up on "Inside Joke at Moontower" (2018), "The Stand-Up Show with Katherine Ryan" (2019), "Marvel: Eat The Universe" (2019), "The James Altucher Show" (2020), and was part of eight episodes of "Lights Out with David Spade" from 2019 to 2020.
Tim Dillon runs the podcast "The Tim Dillon Show," which used to be called "Tim Dillon Is Going to Hell." As of now, the show's YouTube channel boasts over 369,000 subscribers. He also co-hosted "Bastard Radio" alongside Nick Mullen and Luis J. Gomez, and has made guest appearances on a bunch of other podcasts like "The Joe Rogan Experience," "History Hyenas," "The Megyn Kelly Show," "Red Scare Podcast," "The Fighter and the Kid," and "Your Mom's House." In 2021, Tim moderated a panel with Tyler and Cameron Winklevoss and Jake Paul at a Bitcoin Conference in Miami.
Personal Life
Tim is openly gay and came out when he was in his mid-twenties. Back in 2019, he mentioned that he hadn't touched alcohol or drugs in more than ten years. When it comes to politics, Dillon shared in 2016 that he feels disconnected from any political alignment, calling it all "fake." He chose not to vote in the 2020 presidential election since he wasn't a fan of either Donald Trump or Joe Biden, but he did show support for Caitlyn Jenner during the California gubernatorial recall election in 2021.
Real Estate
In the middle of 2021, Tim dropped $900,000 on a house in Austin, Texas. Later that year, he shelled out $2.6 million for a place in Southampton, NY.
Fast forward to September 2022, Tim bought a Hollywood Hills home for $4.6 million from actor Thomas Middleditch. He put this property on the market in February 2024 for just under $5 million.
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Tim Dillon has carved out a successful career through his unique brand of comedy, podcasting, and acting. With a net worth of $12 million, his journey from humble beginnings to becoming a major influencer in the comedy world is inspiring. His rise to prominence, particularly through "The Tim Dillon Show" and his success on Patreon, demonstrates his immense talent and ability to connect with audiences.
Dillon’s unapologetic humor and authenticity have made him a beloved figure in entertainment. As he continues to expand his influence, it's clear that his future in comedy and beyond is incredibly bright.
Davidson's assertion matched what a bunch of other comedians said while on the show.
"Saturday Night Live" is famous for its funny sketches, political humor, and celebrity appearances. With its popularity and impressive roster of stars, many fans think the cast is raking in big bucks. But former SNL cast member Pete Davidson recently shattered that illusion by sharing his salary from the show, leaving everyone shocked.
The actor and comedian was a part of the NBC sketch comedy show for more than 8 years, from 2014 to 2022. Davidson became well-known on SNL thanks to a bunch of unforgettable “Weekend Update” segments, characters, and sketches that fans still adore.
He just opened up to New York Magazine in a quick interview, chatting about how much he made per episode on SNL and revealing his “biggest splurge” after cashing his first paycheck.
Davidson mentioned that, although many anticipated a figure close to six digits, it was different. “Do you guys know what they pay us? It’s like three grand an episode, so I think I got dinner!” Davidson wasn't the only celebrity to tackle that question. Since it kicked off in 1975, Saturday Night Live has launched the careers of tons of comedians, writers, and actors like Tina Fey, Seth Meyers, Rachel Dratch, Jason Sudeikis, Jimmy Fallon, Bill Murray, Cheri Oteri, James Austin Johnson, and a whole bunch more.
Some of these stars also chimed in on the same question in an Instagram clip. When asked about his biggest indulgence, Jason Sudeikis, who was on SNL for nine years and wrote for two, mentioned that people just didn’t earn enough to really splurge on anything.
“I mean you don’t really make enough money to make big purchases,” he said that he probably made the biggest purchase of his life with his first SNL paycheck as a writer, and that was for "New York rent."
Actor and comedian Rachel Dratch is among the SNL stars who spent their first paycheck on something sensible, like rent. Similarly, Cheri Oteri revealed that she also bought a couch with hers. “I have gotten it reupholstered three or four times. I remember a designer coming over in tears and he goes, ‘Oh, those arms are too high. We’re going to get rid of that couch.’ I said, ‘Oh no. No, you’re not. Not today, Satan! The couch is staying, you’re going,'" she said recalling how special it was to her.
Some cast members decided to treat themselves to some fancy stuff. Julia Louis-Dreyfus mentioned that she splurged on a pair of shoes that were a bit pricey for her. “I’ve got to say, I think they were $75," she laughed while sharing the story.
Bowen Yang was likely the only one in the interview who really met fans' expectations. He mentioned that he popped over to a Saks store nearby and picked up a pair of Gucci shoes. He described them as "the type that everyone has and the kind I wouldn't feel too cool wearing out these days."
As SNL gets closer to its 50th anniversary, it's clear that the show has evolved over the years. Still, NBC is gearing up to celebrate this big milestone with a major event, reportedly planning a three-hour live primetime special.
Pete Davidson’s revelation about his salary on Saturday Night Live sheds light on the reality behind the show's glamorous image. Despite the modest pay, it’s clear that SNL has been a crucial stepping stone for many comedians, offering a platform for growth and career-building.
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Davidson’s honesty about his experience adds a human touch to the show’s legacy, showing that even iconic stars started small. With the upcoming 50th anniversary celebration, it’s exciting to reflect on how SNL has shaped comedy, launched careers, and continues to be a pivotal force in the entertainment industry.
The cherished sitcom, focused on a lovable group of nerds, wrapped up its 12-season journey in 2019.
The Big Bang Theory wasn't just for the science enthusiasts.
Since it first aired in September 2007 and wrapped up with an emotional two-part finale in May 2019, the show captured the hearts of many with its unique humor and quirky characters. It helped launch the careers of future stars like Kaley Cuoco, Jim Parsons, Mayim Bialik, and Johnny Galecki, all of whom have found success in their own right.
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This CBS series showed that a group of socially awkward science lovers could really resonate with audiences, racking up 10 Emmy awards along the way. During the last live taping, Galecki reflected on the past 12 seasons as "a dream come true," expressing gratitude to the fans for their support.
Even though The Big Bang Theory has come to an end, its influence on pop culture lives on in the hearts of its dedicated fans, leading to the creation of the spinoff Young Sheldon in 2017, which focuses on Parsons' character, Sheldon Cooper.
From unexpected romances on and off the screen to reunions among the cast, find out what the stars of this beloved comedy are doing now.
#1 Jim Parsons as Sheldon Cooper
Parsons played the quirky, genius Sheldon Cooper on The Big Bang Theory. His role earned him four Primetime Emmy Awards for outstanding lead actor in a comedy series, along with a Golden Globe for best actor in a television series musical or comedy. After 12 seasons, he felt it was time to move on.
While on the show, Parsons was also busy with other films, including The Big Year (2011), The Muppets (2012), Hidden Figures (2016), and Extremely Wicked, Shockingly Evil and Vile (2019).
He hasn't completely left the Big Bang Theory world behind, as he served as an executive producer and narrator for Young Sheldon, which wrapped up after seven seasons in May 2024. Parsons has also produced the Emmy-nominated drama Special and the Fox sitcom Call Me Kat, which stars his former co-star, Bialik. In 2020, he snagged another Emmy nomination for his role in the Netflix miniseries Hollywood.
Parsons has had a long and successful theater career, notably leading the 2018 Tony Award-winning Broadway revival of The Boys in the Band, which was later turned into a Netflix film in 2020. He also appeared in Mother Play and Our Town on Broadway in 2024.
In 2012, Parsons publicly came out as gay in a New York Times profile, where he talked about his long-term relationship with his then-boyfriend, art director Todd Spiewak. The couple tied the knot in 2017 after being together for 14 years.
#2 Johnny Galecki as Leonard Hofstadter
Galecki took on the role of Leonard Hofstadter, an experimental physicist and Sheldon's best buddy, which earned him an Emmy nomination in 2011 and several nods from the Screen Actors Guild Awards as part of the ensemble cast.
During the show, Galecki also had a role in Entourage and appeared in movies like Hancock in 2008 with Will Smith and In Time in 2011 alongside Amanda Seyfried and Justin Timberlake. He later returned to his character David Healy in the 2018 Roseanne reboot, describing it as a "very emotional" experience after first joining the show back in 1992. Since then, he has taken a bit of a break from acting.
From 2008 to 2009, Galecki was in a relationship with his co-star and on-screen love interest Cuoco, which fans really enjoyed during his time on The Big Bang Theory. They ended things on good terms and have stayed close friends, even attending award shows together as platonic dates.
In 2018, Galecki started dating Alaina Meyer, and they welcomed a son named Avery in 2019, but by 2020, they decided to part ways. The actor shared in the March 2024 issue of Architectural Digest that he and his wife, Morgan, had a private wedding and welcomed a daughter named Oona Evelena.
#3 Kaley Cuoco as Penny
Kaley Cuoco played the lively and ambitious actress Penny on The Big Bang Theory, who starts off as Leonard's neighbor and eventually becomes his wife. While on the show, she also appeared in the 2008 film Killer Movie and 2011's The Penthouse, and she hosted the People's Choice Awards in both 2012 and 2013.
After The Big Bang Theory ended, Cuoco jumped into the DC Universe in 2019, lending her voice to the lead character in the animated Harley Quinn series and taking on the role of executive producer.
Her journey in production didn't stop there. In 2017, she launched Yes, Norman Productions, which kicked off with an adaptation of Chris Bohjalian's 2018 novel The Flight Attendant in 2020. Cuoco starred as Cassie Bowden and was an executive producer until the show wrapped up its two-season run in 2022.
In 2021, it was revealed that Cuoco would star in and produce a limited series titled Doris Day: Her Own Story. She also took the lead and produced films like 2022's Meet Cute and the upcoming 2024 film Role Play. Since 2023, she has been starring alongside Chris Messina in Peacock's comedy thriller Based on a True Story.
After her split from Johnny Galecki, Cuoco got engaged in 2011 to Josh "Lazie" Resnik, an addiction specialist, but they called it off just five months later. Shortly after, she became engaged to professional tennis player Ryan Sweeting.
Cuoco and Sweeting got married in 2013 after a whirlwind three-month romance but ended their marriage 21 months later in 2016. Later that year, she started dating professional equestrian Karl Cook. They tied the knot at a horse stable near San Diego in June 2018 but separated in September 2021, finalizing their divorce in June 2022.
In May 2022, Cuoco confirmed she was dating Ozark actor Tom Pelphrey, and by October, she announced they were expecting a baby girl. Their daughter, Matilda Carmine Richie, was born in March 2023.
#4 Simon Helberg as Howard Wolowitz
Simon Helberg had been in the comedy scene for quite a while before landing a role on The Big Bang Theory, especially known for his stint on MadTV back in 2002. On the show, he portrayed
Howard Wolowitz, a charming but somewhat awkward aerospace engineer and ex-astronaut, who was the only main character without a Ph.D.
While working on The Big Bang Theory, Helberg also had a role in the 2009 Coen brothers' film A Serious Man, and he starred alongside Meryl Streep in 2016's Florence Foster Jenkins. After the show ended, he took on a role opposite Adam Driver in the 2021 film Annette and appeared in As They Made Us and Space Oddity in 2022.
In 2007, Helberg tied the knot with actress Jocelyn Towne, and they have two kids together: a daughter named Adeline and a son named Wilder.
#5 Kunal Nayyar as Raj Koothrappali
Kunal Nayyar brought to life the socially awkward Raj Koothrappali, a particle astrophysicist and best friend to Leonard, on the show.
While he was busy with that role, Nayyar also took on other projects, lending his voice to the 2012 animated movie Ice Age: Continental Drift and the Nickelodeon show Sanjay and Craig. He’s also the voice of Guy Diamond in the Trolls movies, including 2020's Trolls World Tour and 2023's Trolls Band Together.
In 2015, he released his first book, Yes, My Accent is Real: And Some Other Things I Haven't Told You, where he shares stories from his childhood and career through a series of humorous essays. That same year, he made a comeback to theater with an Off-Broadway production of Jesse Eisenberg's The Spoils.
Nayyar has kept himself in the spotlight on TV, showing up in Netflix's Criminal: UK and starring alongside Uma Thurman in Apple TV+'s Suspicion. In 2024, he was featured in Netflix's Spaceman and the British teen rom-com How to Date Billy Walsh.
He’s been happily married to actress-model Neha Kapur since 2011.
#6 Melissa Rauch as Bernadette Rostenkowski
Melissa Rauch joined the Big Bang Theory crew in season 3 as the quirky and energetic microbiologist Bernadette Rostenkowski, quickly becoming Howard's love interest. Besides her iconic role as Bernadette, she has a diverse acting background, featuring in shows like True Blood and The Office, as well as movies such as I Love You, Man and Ode to Joy.
In 2015, she co-wrote, co-produced, and starred in The Bronze, which received a warm reception at the Sundance Film Festival. She also lent her voice to Harley Quinn in the 2017 animated flick Batman and Harley Quinn. In 2019, she released a children's book called The Tales of Tofu, created in partnership with House Foods America, showcasing her love for healthy eating.
Since 2023, she’s been shining on the NBC reboot of Night Court as Judge Abby Stone. In 2024, she and Kunal Nayyar shared the screen again when he guest-starred in season 2 of the show.
On the personal side, Rauch is married to writer Winston Beigel, with whom she collaborated on The Bronze. They have two kids together: a daughter named Sadie and a son named Brooks.
#7 Mayim Bialik as Amy Farrah Fowler
Bialik made her first appearance on The Big Bang Theory in season 3 as Amy, a neurobiologist who joined the group, pretending to be a potential romantic interest for Sheldon through an online dating platform. The couple eventually tied the knot in the season 11 finale, but not without navigating some serious relationship challenges along the way.
Before her role on the show, Bialik was known for playing the lead in NBC's Blossom during the '90s. She also had a successful stint as a voiceover actress, lending her voice to characters in shows like Kim Possible, Hey Arnold!, and Johnny Bravo.
While working on The Big Bang Theory, Bialik took on other projects, such as hosting a reboot of Candid Camera in 2014 and appearing in the 2015 Lifetime holiday movie The Flight Before Christmas. She also directed, wrote, and produced the 2022 film As They Made Us, which featured her Big Bang Theory co-star Helberg.
From 2020 to 2023, Bialik starred in Call Me Kat, where she also served as an executive producer alongside Parsons. She began guest hosting Jeopardy! in 2021 and was later promoted to host, sharing the role with Ken Jennings until 2023.
Beyond acting, Bialik is an accomplished author and academic. She has written and co-authored several books, including Beyond the Sling, Girling Up, and Boying Up, which focus on parenting and growing up. In 2017, in the wake of the Harvey Weinstein allegations, she wrote a New York Times op-ed discussing the challenges women face in the entertainment industry. She also started a website called GrokNation, aimed at fostering conversations about current issues and social change.
Bialik married Michael Stone in 2003, and they have two sons, Miles Roosevelt and Frederick Heschel. After nearly ten years of marriage, they divorced in 2013. She is currently in a relationship with writer, poet, and producer Jonathan Cohen, and they co-host the podcast Mayim Bialik's Breakdown.
The cast of The Big Bang Theory has certainly gone on to achieve remarkable success after the show’s conclusion. From Jim Parsons' continued success in television and theater to Kaley Cuoco's impressive ventures in both acting and production, each actor has embraced new challenges and opportunities.
Their post-BBT careers highlight their immense talent and versatility. As they continue to make waves in the entertainment industry, the legacy of The Big Bang Theory lives on, reminding fans of the incredible chemistry and memorable moments that made the show so beloved. The future looks bright for these stars.
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What is Kelly Reilly's Net Worth?
Kelly Reilly is a talented English actress with a net worth of around $5 million. She was born in Surrey, England, in 1977 and kicked off her acting journey as a teenager. Her first appearance on screen was in "Prime Suspect: Inner Circles," where she played Polly Henry, and she also featured in "The Biz" back in 1995. Over the years, Reilly took on various small TV roles, showing up in shows like "The Ruth Rendell Mysteries," "Poldark," "Pie in the Sky," "The History of Tom Jones, a Foundling," "Christen of the New Forest," and "Wonderful You."
She made her film debut in 2000 with "Maybe Baby," playing the character Nimnh. Since then, she’s been in a bunch of films, including "Last Orders," "Dead Bodies," "Pride & Prejudice," "Me and Orson Welles," "Sherlock Holmes," "Eden Lake," "Edwin Boyd: Citizen Gangster," "Sherlock Holmes: A Game of Shadows," "Innocence," and "Heaven Is For Real."
Reilly gained significant recognition for her role as Anna Travis in the "Above Suspicion" series, appearing in four different installments like "Above Suspicion 2: The Red Dahlia," "Above Suspicion: Deadly Intent," and "Above Suspicion: Silent Scream."
She also starred as Dr. Catherine Black in the 2014 series "Black Box." An accomplished actress, she won the Best Newcomer award at the Cannes Film Festival for her role in "The Russian Dolls" in 2005 and received several nominations for her stage performances, including a Best Actress nomination at the Laurence Olivier Theatre Awards for "After Miss Julie." Reilly has been happily married to financier Kyle Baugher since 2012 and appeared in the TV series "True Detective" in 2015.
Kelly Reilly plays Beth Dutton in the hit TV series Yellowstone, a complex and fierce character who is the daughter of John Dutton, portrayed by Kevin Costner. Beth is known for her sharp wit, fierce loyalty to her family, and ruthless business tactics.
Her character navigates complicated relationships, particularly with her father and brother, as she works to protect the Dutton family’s ranch. Reilly's powerful portrayal of Beth has earned her widespread praise, establishing her as one of the standout characters in Yellowstone. Her performance brings depth and intensity to the show, making Beth a fan-favorite.
Kelly Reilly's impressive career continues to flourish, with her standout role as Beth Dutton in Yellowstone catapulting her to greater fame. Her portrayal of the fierce and complex character has earned her critical acclaim and a loyal fanbase.
Beyond Yellowstone, Reilly has showcased her versatility in both film and television, appearing in acclaimed projects like Sherlock Holmes, Pride & Prejudice, and Above Suspicion. With her talent, dedication, and undeniable presence on screen, Kelly Reilly is a force to be reckoned with in the entertainment industry and remains a beloved figure in Hollywood.
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The Project Is Set to Showcase 'Superman' Actor Henry Cavill.
Key Highlights
Amazon and Games Workshop revealed on Tuesday that Prime Video will be creating films and TV series based on the Warhammer 40,000 franchise.
This collaboration has been in the works for several months, and it will star Henry Cavill, known for his role as Superman.
The agreement highlights that there's still a strong demand for established intellectual properties, even with the recent dip in box office performance for the Marvel Cinematic Universe.
Amazon and Games Workshop from the UK announced on Tuesday that they've struck a deal for Prime Video to develop a franchise based on the Warhammer 40,000 universe.
This agreement highlights the ongoing interest from content creators in building franchises or "cinematic universes" around popular intellectual properties (IP).
After the box office highs of Avengers: Endgame, Disney's Marvel Cinematic Universe has seen a dip in ticket sales, sparking discussions about its future. The upcoming Deadpool & Wolverine film is expected to be the first MCU release to break into the top 10 U.S. ticket sales since Black Panther: Wakanda Forever.
Whilst MCU ticket sales have dipped, while other popular franchises are doing really well.
Even though the MCU is seeing a dip in numbers, studios are still putting their money on franchises like Warhammer. On Tuesday, it was announced that Amazon has snagged the exclusive rights to create movies and TV shows based on the franchise. They didn’t share any financial details or production schedules, but Henry Cavill, known for his role as Superman, confirmed he’s on board for the project via social media.
In recent years, there have been some impressive hits outside the MCU, like the box office success of Barbie and critically acclaimed TV adaptations of video games, such as HBO's The Last of Us and Prime Video's Fallout.
A successful film based on a tabletop game like Warhammer, which is set in a distant future, wouldn’t be a first. Last year’s Dungeons & Dragons: Honor Among Thieves received great reviews and raked in over $200 million at the box office, with a budget of $151 million, according to Variety.
Jefferies analysts pointed out on Tuesday that if the Prime Video Warhammer series takes off, it could also give a nice boost to Games Workshop’s sales of Warhammer models, books, and other merchandise.
Cavill has already taken on a role linked to a video game, playing Geralt in Netflix's Witcher series, which is based on a collection of books.
Amazon's partnership with Games Workshop to create the Warhammer 40,000 cinematic universe marks an exciting new chapter for both the franchise and Prime Video. With the talented Henry Cavill at the helm, fans can expect a compelling blend of futuristic storytelling and intense action.
This move underscores the growing trend of adapting popular intellectual properties into expansive cinematic universes. Given the success of similar projects, including Dungeons & Dragons and The Last of Us, there is great potential for Warhammer to capture a global audience. This collaboration is poised to redefine the future of geek culture and entertainment.
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What is Jeremy Clarkson's net worth and salary?
Jeremy Clarkson is a British TV host, journalist, and author with a net worth of $70 million. He’s most famous for being the face of the hugely popular car show "Top Gear," which regularly ranks among the most-watched shows globally.
Early Life
Jeremy Clarkson was born on April 11, 1960, in Doncaster, England, to his parents, Shirley and Edward. They had signed him up for private school long before he was even born, not really knowing how they would cover the costs. Just before he was set to start school, his parents crafted a couple of Paddington Bear toys for their kids, which turned out to be a hit.
They started selling them, but soon received a cease and desist order from the legal team of Paddington Bear's creator, Michael Bond. Edward Clarkson headed to London to talk to Bond's lawyer and ended up running into Bond in the elevator. They hit it off, and Bond granted the Clarksons the global licensing rights to Paddington Bear, which helped fund Jeremy's education.
Clarkson has mentioned that he faced a lot of bullying and was quite unhappy during his time at Repton School. Interestingly, he was there alongside former "Top Gear" Executive Producer Andy Wilman and Formula One engineer Adrian Newey. Eventually, he got expelled from Repton for several reasons.
Career
He’s best known as the host of the hit car show "Top Gear," but his career actually kicked off selling Paddington Bears for his parents. After that, he dived into journalism, writing for several newspapers like the Rotherham Advertiser, Rochdale Observer, Wolverhampton Express and Star, and Shropshire Star.
It was at the Shropshire Star that he got his first taste of automotive writing, starting with Peugeots and Fiats before moving up to Range Rovers and Ford Granadas. After seven years, he finally got behind the wheel of an Aston Martin Lagonda, and ten years in, he drove his first Lamborghini.
In 1984, Clarkson launched the Motoring Press Agency (MPA) with fellow journalist Jonathan Gill, where they tested cars for various newspapers and magazines. He’s also been a regular contributor to Top Gear magazine since it started in 1993.
Clarkson is not just the face of "Top Gear"; he also pens columns for The Sun, The Sunday Times, and the Toronto Star. He’s authored several books on cars and a bunch of other topics too.
His big break on TV came when he hosted "Top Gear" in its original run from October 1988 to February 2000, and then again from October 2002 to March 2015. He’s pretty much the reason "Top Gear" became the most-watched show on BBC Two.
Besides that, Clarkson was the host of the first UK version of "Robot Wars." He also had his own talk show called "Clarkson" from November 1998 to December 2000, where he produced 27 episodes featuring interviews with musicians, politicians, and other celebs.
In 2007, Clarkson and his co-host James May made history by being the first to drive to the North Pole, which was featured in the "Top Gear: Polar Special."
Clarkson got suspended from "Top Gear" by the BBC in March 2015 after he had a physical altercation with one of the producers. He was really upset about being served soup and a cold meat platter while they were filming in Hawes, North Yorkshire, especially since the chef had already left for the day. That was all that was left for him to eat. Following the incident where Clarkson punched producer Oisin Tymon hard enough to need hospital treatment, the BBC decided not to air the next episode or the last two of the season.
Clarkson's contract with the BBC ended in March, and they pulled back on a proposed three-year renewal. On April 19, 2015, Clarkson wrote in his Sunday Times column that just two days before the incident, his doctor had mentioned the possibility of tongue cancer. Luckily, it turned out he didn’t have cancer after all. In November 2015, Tymon filed a lawsuit against Clarkson and the BBC for racial discrimination due to the verbal abuse he faced during the March incident. The following February, Clarkson apologized to Tymon and settled the claims for $130,000.
On July 30, 2015, Amazon revealed that Clarkson, along with his old "Top Gear" buddies Richard Hammond and James May, would be launching a new show titled "The Grand Tour." The first season hit the screens on November 18, 2016, and the series concluded its fourth season by the end of 2019.
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Personal Life
In 1989, Clarkson tied the knot with Alex Hall, but just six months later, she left him for one of his buddies. By May 1993, he had married his manager, Frances Cain, and they welcomed three kids together. However, Cain filed for divorce in April 2014.
In September 2010, Clarkson got a privacy injunction against his first wife to stop her from claiming that their romantic relationship continued even after he married Cain.
Clarkson is a huge fan of the progressive rock band Genesis. He was at their reunion concert in 2007 at Twickenham Stadium in London. He even wrote sleeve notes for the reissue of "Selling England by the Pound" as part of the "Genesis 1970-1975" box set.
He has owned a bunch of luxury cars, including a Range Rover TDV8 Vogue SE, Mercedes-Benz 600 Grosser, Mercedes-Benz SLK55 AMG, Lotus Elise 111S, BMW M3 CSL, Mercedes CLK63 AMG Black, Mercedes-Benz SLS AMG Roadster, Ferrari F355, Aston Martin Virage, Lamborghini Gallardo, Alfa Romeo Alfetta GTV6, McLaren 675LT, and more.
Clarkson has a history of being pretty dismissive of the green movement. He’s even poked fun at organizations like Greenpeace, labeling them as "eco-mentalists" and suggesting they’re just a mix of "old trade unionists and CND lesbians." He’s also referred to wind farms as something that will eventually serve as a reminder of when humanity lost its mind, thinking that wind, waves, and a ton of tofu could actually produce enough electricity for everyone on Earth.
Salary Highlights
Clarkson's Top Gear salary might seem low at $4 million a year, especially given the show's popularity. But don’t worry about Jeremy too much. He actually owned 30% of the rights to Top Gear, so he rakes in money from all sorts of things like licensing deals, DVD sales, syndication, and merchandise.
On top of his salary, he usually pulls in an extra $7.5 to $13 million annually from dividends and bonuses. In 2013, the BBC, which already had a 50% stake, decided to buy out the remaining shares to take full control of Top Gear. This deal brought Clarkson around $21 million.
Real Estate
In 2012, Clarkson snagged a five-bedroom cottage on 312 acres in the Cotswolds for $5.5 million. Fast forward to 2018, and he blew it up during an episode of "The Grand Tour." Once the debris was cleared away, he set his sights on constructing a six-bedroom, three-story mansion.
In 2019, Jeremy Clarkson grabbed attention when he bought a massive 1,000-acre farm in the Cotswolds, signaling a big change in his life. Famous for being a car lover and TV host, his leap into farming caught a lot of people off guard. The farm, which was pretty run-down before, became the focus of his Amazon Prime show, Clarkson's Farm, where he hilariously shares his ups and downs in trying to make it work.
With zero farming experience, Clarkson ran into all sorts of challenges, from dealing with farming rules to managing animals. His adventure, packed with wins and losses, has been celebrated for its humor, authenticity, and a real look at the struggles modern farmers face.
In conclusion, Jeremy Clarkson’s impressive career and ventures have solidified his place as a beloved and influential figure in entertainment. From revolutionizing Top Gear to embracing the challenges of farming in Clarkson's Farm, his versatility, humor, and authenticity have earned him widespread admiration.
With a net worth of $70 million, Clarkson continues to captivate audiences with his bold and often unconventional approach to life, ensuring his legacy as a multifaceted and enduring entertainer. Whether on screen, in print, or on the farm, Clarkson’s charisma and candidness remain key to his success.
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KSI, whose real name is Olajide Olatunji, is a prominent English YouTube personality, video game commentator, comedian, and rapper, boasting a net worth of $100 million. He ranks among the highest-earning internet figures globally, having earned $25 million between September 2022 and September 2023. Currently, he operates three YouTube channels: "KSI," "JJ Olatunji," and "KSIClips," collectively garnering over 8.6 billion views. His primary channel has attracted 24.1 million subscribers, and he is a former member of the YouTube collective known as the Sidemen, which oversees four channels: "Sidemen," "MoreSidemen," "SidemenReacts," and "SidemenShorts."
The name KSIOlajidebt is derived from the gaming community acronym "KSI," combined with his first name, Olajide, and "BT" for British Telecom. KSI primarily focuses on FIFA games, having played alongside Arsenal and England midfielder Alex Oxlade-Chamberlain. In his music career, he released the single "Lamborghini" featuring P Money in 2015, which achieved #7 on the UK R&B chart and #30 on the UK Singles Chart. He has also produced studio albums "Dissimulation" (2020) and "All Over the Place" (2021), and has collaborated on singles with artists such as BlacknWhite, Sway, and Yogi. In 2015, he authored the book "KSI: I Am a Bellend," which was retitled "I Am a Tool: How to Be a YouTube Kingpin and Dominate the Internet" for the U.S. market.
KSI is well-known for his rivalry with Logan Paul. On August 25, 2018, they participated in a pay-per-view boxing match, billed as "the biggest internet event in history." The bout concluded in a draw, leading to a rematch on November 9, 2019, at the Staples Center in Los Angeles. The initial fight attracted 2.25 million live viewers, with 1 million purchasing the pay-per-view and an estimated 1.2 million watching through unauthorized Twitch streams. Ultimately, 1.3 million viewers bought the fight via PPV, generating approximately $13 million in revenue, with both KSI and Logan likely earning.
In recent years, the energy drink "Prime" has emerged as a significant topic in discussions surrounding KSI's net worth. For those unfamiliar, Logan Paul and KSI have been promoting Prime since its launch in January 2022. Unverified reports from Prime indicate that the beverage generated $565 million in revenue during the twelve-month period from December 2022 to December 2023.
The answer is no; they serve as promoters but do possess equity in the brand. It is widely believed that each of them holds a 20% stake, or collectively they own 20%. The majority ownership is held by a Louisville-based parent company known as Congo Brands, which is co-owned by Max Clemons and Trey Steiger. Assuming Logan and KSI each own 20% of the brand, it is worth noting that when Rockstar was sold to Pepsi for $3.8 billion in 2020, it was generating $800 million in revenue, translating to a sale price of approximately five times its revenue. If Prime is indeed generating $600 million annually, one could estimate the brand's total value to be around $3 billion (five times $600 million). If Logan and KSI each hold a 20% stake, their shares would be valued at $600 million.
Conversely, if they collectively own 20%, equating to 10% each, their stakes would be worth $300 million each. Given that their actual equity stakes remain undisclosed and the revenue figures are unverified, all of this remains speculative. Nonetheless, it is reasonable to conclude that both individuals possess significant stakes in a burgeoning enterprise. Prime has also secured a range of celebrity endorsements, featuring notable figures such as quarterback Patrick Mahomes, soccer star Erling Haaland, and MMA fighter Alexander Volkanovski. It is likely that these celebrities were granted equity in return for their endorsements.
Olajide Olayinka Williams Olatunji, known as KSIOlajidebt, was born on June 19, 1993, in Watford, Hertfordshire, England. His mother, Yinka, hails from London, while his father, Jide, is originally from Nigeria. KSI has a younger brother, Deji, who is also a prominent YouTuber. In 2015, KSI achieved the distinction of being ranked #1 on Tubular Labs' list of the "UK's Most Influential YouTube Creators," with Deji following closely at #2. KSI attended Berkhamsted School, where he formed a friendship with Simon Minter, who would later become a member of the Sidemen. In 2018, Deji released a video that disclosed KSI's personal banking information, prompting KSI to publicly express his disappointment towards his family, stating, "Don't you f**king dare put my information out on blast like that. I keep that shit private. Mom, dad, I'm disappointed."
KSI initiated his YouTube journey in 2008 with his first channel named "JideJunior," and subsequently created the "KSIOlajideBT" account in July 2009. As he began to generate a consistent income from his FIFA gaming commentary videos, he made the decision to leave sixth form college. KSI later expanded his content to include vlog-style videos and a broader range of games, reaching one million subscribers by 2012. In 2013, he signed with Polaris, a sub-network of Maker Studios, and in October of the same year, he became a member of the Sidemen, a British YouTube collective known for their sketches, challenges, and gaming commentary. In August 2017, KSI announced his departure from the Sidemen and subsequently released diss tracks targeting the other members.
KSI made his musical debut with the album "Dissimulation," which was launched in May 2020. This album achieved remarkable success, securing the top position on the Irish Albums Chart and the second position on the UK Albums Chart. The Gold-certified album includes notable singles such as "Down Like That" featuring Rick Ross, Lil Baby, and S-X, "Wake Up Call" featuring Trippie Redd, "Poppin" featuring Lil Pump and Smokepurpp, "Houdini" featuring Swarmz and Tion Wayne, and "Killa Killa" featuring Aiyana-Lee. In 2021, KSI released his second album, "All Over the Place," which also reached the pinnacle of the UK Albums Chart. This album features the Gold-certified singles "Really Love" with Craig David and Digital Farm Animals, as well as "Don't Play" in collaboration with Anne-Marie and Digital Farm Animals. Additionally, KSI has produced several EPs, including "Keep Up" (2016), "Jump Around" (2016), "Space" (2017), and "Disstracktions" (2017).
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KSI is deeply committed to charitable endeavors and has actively participated in various charity television programs, including "Comic Relief," "Stand Up To Cancer," "Children in Need," and "Sport Relief." In 2015, he contributed $10,000 to an online charity stream hosted by YouTuber Castro1021 and participated in a Race Against Slime event to support SpecialEffect, a U.K.-based organization dedicated to enhancing the lives of individuals with physical disabilities through video gaming. Between 2016 and 2018, KSI and his fellow Sidemen organized three charity football matches, collectively raising nearly £400,000 for organizations such as Childline, the Saint's Foundation, and the Charlton Athletic Community Trust. In 2020, he made a donation of $60,000 to the Black Lives Matter Global Network Foundation and other charities focused on supporting the Black community, in addition to donating clothing to the Seaview Project. That same year, he participated in "The Independent's" Help the Hungry campaign and the "Evening Standard's" Food for London Now initiative, and he contributed to the charity single "Stop Crying Your Heart Out" for Children in Need.
In 2021, KSI donated £10,000 to Comic Relief during BBC Radio 1's "Lol-a-thon." KSI is an avid supporter of the London football club Arsenal F.C. and has made appearances on AFTV, a channel dedicated to Arsenal fans. In 2012, he faced allegations of sexual harassment against women at a Eurogamer event, as well as accusations of sexually assaulting spokesmodel Brandy Brewer. Although Brewer later tweeted, "I consented to the motorboat it's called comedy……relax," KSI was subsequently banned from attending future Eurogamer events.
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In 2016, KSI was honored with a Diamond Creator Award at the YouTube Creator Awards and was recognized as Vlogger of the Year by the NME Awards. In 2020, he received an Amazon Music UK award for Best Song for his track "Lighter," which also garnered him a nomination for Best British Single at the BRIT Awards. KSI has been nominated for three Shorty Awards: Best in Gaming in 2012, YouTuber of the Year in 2017, and Best YouTube Ensemble (alongside the Sidemen) in 2019. His work, "Sidemen: The Book," was nominated for the British Book Award in the category of Non-Fiction: Lifestyle Book of the Year in 2017, and he also received a nomination for Best British Vlogger at the BBC Radio 1's Teen Choice Awards that same year. Additionally, KSI has been nominated for various accolades, including the Global Awards (Social Media Superstar, 2018), MTV Awards (Hottest Summer Superstar, 2020), MOBO Awards (Best Media Personality, 2020), and TMTV Awards (Hottest Summer Superstar, 2021). In 2022, he was awarded "Personality of the Year" at the Rated Awards.
Amid a courageous battle with stiff person syndrome, Céline Dion is determined to return to the stage — setting her sights on Las Vegas for a brand-new residency. Known for her powerhouse performances, the 56-year-old icon remains undeterred by the challenges of her rare neurological disorder, which has caused symptoms like frozen vocal cords. But recent triumphs, including her appearance at the Paris Summer Olympics opening ceremony and a moving promo for the NFL, have inspired her to reach for her ultimate goal.
Sources close to Céline reveal that she’s eager to get back to her Vegas roots, where she captivated audiences for over 400 shows at Caesars Palace from 2011 to 2019. "She paved the way for stars headlining in Vegas, and now she wants to show them how it’s done," says one insider. Her team is already working on securing a 2025 residency, with Céline hopeful that ongoing treatments and physical therapy will enable her to perform once more.
“Despite difficult times when she thought concerts might be out of reach, Céline’s resilience and dedication make her believe she can pull it off,” a source adds.
Céline Dion’s Impact on Neurological Disease Awareness: A Voice Beyond Music
Céline Dion, beloved for her powerful voice and timeless ballads, has recently become an unexpected beacon of hope and awareness in the world of neurological diseases. Since revealing her diagnosis of stiff person syndrome (SPS) in late 2022, Dion has shone a spotlight on this extremely rare condition, which affects fewer than one in a million people. While the singer’s openness about her battle has inspired millions of fans, it has also brought critical attention to SPS and the broader spectrum of neurological diseases, highlighting the urgent need for research, support, and understanding within this community.
Stiff person syndrome is a little-known and complex neurological disorder characterized by muscle rigidity and painful spasms that can interfere with even the simplest of daily tasks. For Dion, SPS has meant dealing with frozen vocal cords, physical limitations, and the emotional toll of navigating a chronic condition as a world-renowned performer. In speaking publicly about her struggles, Céline has helped raise awareness not only of SPS but of the hidden challenges that millions face with rare neurological disorders. Her openness has made her a symbol of resilience, and her journey has resonated deeply with those battling similar conditions.
The impact of Céline’s diagnosis goes beyond her immediate fan base. Since her announcement, global interest in SPS has surged, with online searches for information on the disorder reaching an all-time high. This increased visibility has pushed medical professionals, advocacy groups, and the general public to better understand rare neurological conditions and their impact on daily life. Medical experts are hopeful that this surge in interest will lead to more funding for research and a better understanding of the mechanisms behind SPS, ultimately benefiting those living with similar disorders.
Additionally, Dion’s journey has sparked a new wave of conversations around chronic illness and disability in the entertainment industry. Celebrities living with chronic health conditions have often kept these challenges private, fearing that it might impact their public image. But Dion’s candid approach has highlighted the importance of destigmatizing these conditions, making it easier for others in the public eye to be open about their health struggles. Her transparency has encouraged a more inclusive conversation around disability, inspiring fans to seek greater understanding and compassion for individuals affected by invisible illnesses.
Céline’s influence also extends to advocacy groups and charities focused on neurological disorders. Organizations supporting individuals with SPS and other rare neurological conditions have seen a boost in donations, inquiries, and volunteer interest following her announcement. Some of these groups have even launched awareness campaigns in Dion's honor, recognizing her as a powerful advocate for those who often feel voiceless. Céline’s visibility has also drawn support from her industry peers, many of whom have used their platforms to spread awareness about SPS and show solidarity with those affected by it.
As Céline Dion continues to manage her own symptoms, her story serves as a powerful reminder of the strength required to live with chronic neurological conditions. While she may have intended only to inform her fans of her current health status, Dion has created a ripple effect, leading to broader awareness, more compassionate conversations, and renewed energy for research into neurological disorders. Her influence goes far beyond her music, offering hope to those facing similar battles and demonstrating that advocacy can take many forms, even from the stage.
The Walt Disney Company said on Wednesday that it would cut 32,000 jobs, primarily in its Parks, Experiences and Products division, in the first half of its fiscal year for 2021 – meaning by March.
The entertainment titan’s plans to terminate “approximately 32,000 employees” was revealed in a pre-Thanksgiving filing with the US Securities and Exchange Commission. The company had previously revealed plans in September to lay off 28,000 staff at its theme parks, which have been drastically affected by the COVID-19 pandemic and resulting lockdown measures.
"Due to the current climate, including COVID-19 impacts, and changing environment in which we are operating, the company has generated efficiencies in its staffing, including limiting hiring to critical business roles, furloughs, and reductions-in-force," Disney said in its SEC filing.
Disney’s theme parks division has been the hardest-hit by the pandemic, losing around $2 billion in operating income in the quarter ending June 2020. Florida’s Walt Disney World and California’s Disneyland were among the venues forced to close as initial lockdown measures were put in place, and while some have been reopened at a reduced capacity, others – like Disneyland – have reclosed or been forced to remain shut.
The filing also referenced losses in other segments of the company, reaffirming the temporary closure of its retail stores, and the suspension of its cruises and stage plays.
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Disney was also forced to halt television and film production for the majority of the year, contending with higher expenses and slower production when work was resumed, the company said. It warned that its income may continue to decline even after the full recommencement of its business, owing to “the economic downturn caused by COVID-19” reducing consumer appetite for its goods and services.
Overall, Disney’s operating income in the year to 30 September was $8.12 billion, a 45% slump year-on-year. Revenue from its Parks, Experiences and Products division was also down by close to $7 billion compared to last year’s figures, with half as many theme park tickets sold.
Liberty Global and Telefonica, the respective owners of Virgin Media and O2, have announced their intention to merge, converging their services into a single telecommunications giant likely to present a major challenge to BT.
O2 is the UK’s largest phone company, with 34.5 million users on its network that covers Tesco Mobile, Sky Mobile and Giffgaff. Virgin Media has around 3 million mobile users and 5.3 million broadband and pay-television subscribers.
The combination of O2’s 4G and 5G infrastructure and Virgin Media’s ultrafast cable network will create a joint venture worth upwards of £31 billion.
Liberty Global’s chief executive, Mark Fries, emphasised the potential that the merger could hold. “Virgin Media has redefined broadband and entertainment in the UK with lightning-fast speeds and the most innovative video platform. And O2 is widely recognised as the most reliable and admired mobile operator in the UK,” he said in a statement.
Jose Maria Alvarez-Pallette, chief executive of Telefonica, described the coming partnership as “a game-changer in the UK, at a time when demand for connectivity has never been greater or more critical.”
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Analysts have begun to speculate on other possible motivations behind the merger, and its likelihood of success. Professor John Colley, Associate Dean at Warwick Business School, suggested that the move may be “opportunistic”, stemming from the focus of the Competition and Markets Authority (CMA) shifting its focus towards business survival during the COVID-19 crisis rather than the protection of competitive markets.
“However O2 and Virgin Media are businesses that are benefitting from the present covid-induced state of affairs”, Colley continued. “One suspects that the CMA will take a keen interest in this merger.”
Mike Kiersey, Principal Technologist at Boomi, a Dell Technologies business, commented that the success of the merger will likely hinge on the two companies’ ability to bring their respective infrastructures into harmony with each other:
“To establish an efficient operating state, a clear integration framework must be put in place, whether that means the entities remain separate or embrace a purely integrated approach. In most cases, a symbiosis of both IT departments will be the likely result.”
As the UK experiences a widening generational wealth gap, research from credit comparison experts TotallyMoney, uncovers how much different generations are spending or overspending - along with some tips so you can save for that three month trip to Thailand in no time.
61% of millennials feel like they overspend on entertainment - including nights out and trips to the cinema.
While the average Brit puts away £183.50 into savings each month, the research revealed millennials (born between 1977 and 1995) save less at around £176 a month. Millennials are also the most likely to run out of money before payday - with 24% saying this is the case, and the majority of these blaming it on their expensive spending habits rather than an overall lack of funds.
The survey also revealed 61% of millennials feel like they overspend on entertainment - including nights out and trips to the cinema, with a further 34% believing they spend too much on eating out.
We’re pretty sure you’ve thought of ways to save money - but here are a few others just in case you haven’t thought about it, or that final reminder to get you started:
Some millennials can benefit from discounts in various shops and restaurants with a valid student ID. A few student bank accounts offer free railcards or interest-free credit cards, as well as a number of other incentives when you sign up.
Whether it’s an app, a diary or scrap piece of paper - tracking your incoming and outgoings can really help identify where you spend unnecessarily. Try logging your main costs down and avoid impulse buys.
You might be used to brand names, but simple changes such as value brands can help save the pennies! Shopping in local butchers or greengrocers can help minimise the costs too - or swap your Sainsbury’s shop for an Aldi or Lidl.
Us Brits are notorious for avoiding the hassle of change, but research has found speaking to your provider may enable you to find cheaper plans or deals to cut down on your bill. We’d recommend researching other offers online in case making a switch would work better for you.
In a world where we can get anything at a touch of a button, overspending on food, transport, and online shopping has been the bane of our bank accounts. Monitor your spending, and if it makes it any easier - delete the apps from your phone if it makes it you think twice.
Going on holiday doesn’t have to be expensive, with new travel sites such as Kayak, Momondo, and Skyscanner - there are deals for all destinations you’ve been dying to tick off your bucket list.
We’re all guilty of this - Pret sandwiches, Costa coffees and sushi bowls from Wasabi - if you’re not careful you could spend around £10 a day on lunch, which could add up to a whopping £200 a month.
According to studies, there’s around £37 million unused in gym memberships each year, and for many of us we sign up each year and forget to cancel them once the novelty has worn off. If you want to lose the pounds of your waist, but keep them in your pocket, sign up for a pay as you go contract or keep fit by jogging or running in your local park.
Henry Keegan from TotallyMoney commented: “Property is certainly more expensive than ever, and interest rates are notably low at the moment – both of which make it hard for younger people to be as well off as their parents or grandparents
“But there is a noticeable trend that younger people might not be acting with a clear view towards saving for the future. Whether it’s higher spending on unnecessary purchases or an approach to spending which means that they run out of money when they need it, their spending habits may not always be in their best interests.
“We encourage everyone to do research, keep a budget, and use helpful tools to ensure they’re making smart financial decisions.”
(Source: TotallyMoney)
Video streaming services such as Netflix and Amazon Prime have now been reported to have more subscribers than traditional pay-per-view TV services in the UK, according to new figures released by Ofcom. This of course also applies on a global scale, in the US and beyond.
This week Finance Monthly asked experts in the media industry, communications sector and markets experts what they thought of the proliferation of online streaming services and their impact on traditional TV.
Luke McDowell, Context Public Relations:
Netflix is a brilliant example of a business that adapted and reinvented itself to become not only a giant of the streaming world, but the television and film industry as a whole. It is of no surprise that streaming service subscribers now outnumber the traditional pay TV subscribers.
British television has lagged behind the streaming services for a while now, it’s no longer enough to make your programming available on catch-up, you must now realise the market need for ‘binge-watching’; as this is where Netflix and Amazon Prime have cut their teeth. Users want to be able to experience a whole series in a matter of days or even hours, and as attention spans dwindle, so do the returning viewers on typical week-by-week scripted programming. I think the next big trend we will see is studios closing the gap between seasons, so we may even see one or two seasons of a show in the same year, in order to offset the inevitable audience number drop.
We have already seen some of the traditional broadcasters sell programming to streaming giants, either after the initial air date or in other non-native territories, which has been a step in the right direction. However, in order to future-proof themselves, traditional pay TV providers must cater to a new generation who want to watch content whenever and wherever they are, without the arduous wait for the next episode.
This generation also want the ability to pick and choose subscriptions, with one individual possibly having accounts with multiple services. In my experience of working with streaming services over recent years, this is something that was recognised by early contenders such as Roku who created a set-top box built for streaming that was smaller, more portable and more user-friendly than your typical offering, and offered compatibility across a range of services. Offerings such as TVPlayer have also started to bridge the gap between streaming and traditional British television by bringing live TV to younger, more mobile generations through their app; this is something traditional pay TV institutions should take note of.
John Phillips, Managing Director, Zuora:
It’s no secret that the media industry has changed. A few years back, it was in crisis. The shift towards digital meant advertising spend was predominately diverted to the tech powerhouses such as Google and Yahoo!, resulting in a widespread fear that consumers would never again pay for online content.
A few years later, we started to see a few media houses take control and implement basic paywalls in order to access premium content. This slight adjustment jumpstarted revenue, and for the first time since the crisis, brought growth in through their respective subscriber basis.
Since then, the wider media industry has caught on and subscription services have evolved tenfold. Today’s subscription services have morphed into flexible and adjustable models, where media brands have the power to create unique, effective and profitable plans.
From the standard rate plans for weekly, monthly or quarterly subscriptions, to flexible charge models - per article or per download - the ability to adjust has allowed media leaders to test and try what clicks with their subscribers. As a result, they’ve created a successful and reliable revenue model independent from advertising.
David Ciccarelli, CEO and Co-Founder, Voices.com:
Before I got married, we cut the cord to the TV. This was likely predicated by growing up in a household where there was a one hour limit on the amount of television we could watch. When considering starting a family of our own, my wife and I agreed that books and the Internet would be the primary source of news and knowledge entering the home. Since then, we’ve never been a cable subscriber, and I think I know why.
What Netflix does well is facilitating the act of discovery. First, by allowing viewers to create their own profiles, the platform recalls the shows that you watched, but also those in progress that you likely want to finish. By analysing the viewing habits of the individual, Netflix can make recommendations seemingly tailored to your unique preferences.
While recommendations are a good means of discovering new content, it’s equally enjoyable to navigate the categories of both movies and TV series’ in hopes of finding something new. Surely, TV networks could better organize their content using a similar structure. Let’s move beyond the timeline and give the viewer alternative paths for discovering what’s on right now, and in the future.
It’s well understood that TV is advertiser-supported. However, perhaps it’s time to innovate beyond standard ad formats, the ubiquitous 15 and 30-second spot. Shorter spots may be one option, or subtle overlays may welcome new advertisers looking to reach audiences in fresh new ways. While I certainly don’t claim to have the answer on this one, I’d like to encourage broadcasters to consider this space ripe for innovation.
Both Netflix and the movie theatre experience are very immersive. In our household -- and I’ve heard of others doing the same -- sitting down for a show on Netflix, even one as short as a single episode, involves getting snacks, drinks, and blankets on a cold day. When visiting others, I have yet to see or hear of a similar ritual when flipping through the channels on TV for an indefinite period of time. Live sports may be the rare exception. Nonetheless, programming could be designed in such a way for the viewer to suspend their disbelief. Constant interruptions ruin the flow of the experience. Networks should consider new ways to keep the viewer watching and engaged.
Chris Wood, CTO, Spicy Mango:
British TV will have to change the way it operates if it wants to compete with internet giants such as Amazon and Netflix. OTT providers are under still under no obligation to adhere to the usual broadcast guidelines, giving consumers access to content whenever they want it. On the other hand, the linear world is still heavily regulated, particularly around watershed, and this essentially positions OTT at an advantage and has allowed those businesses to innovate faster.
Increased regulation, processes and rules are proven factors of reducing innovation, which the Broadcast sector has seen a lot of in current years. When boundaries are allowed to be pushed, technology has space to innovate and becomes more attractive to different businesses. The fact is, that internet giants free from regulation have completely captured the market and audience today and consequently the traditional broadcasters have been left behind. But how could we introduce regulations that apply to all and how would it work? How would a watershed rule be enforced in catch-up OTT? Would it require credit card verification to prove age? Is PIN enforcement enough? Or should it be enforced at all? Rather than locking everyone in, why don’t we open the doors?
Providers like the BBC need to be freed from constraints like this in order to innovate. With less and less Millennials tuning into live TV and more opting for paid for streaming services like Netflix on a device of their choosing, there is little value for this demographic in their TV license fee if they are only going to watch odd World Cup match or the news. OTT products and services have grown rapidly – primarily because of the flexible nature of viewing that is offered. For British TV to grow its user base and capitalise on these benefits – it’s time to remove the shackles.
The result would give viewers more platform choices and enable content developers to create more relevant programmes for their audiences.
Chris Lawrence, Head of UK Communications, Media and Technology Consulting, Cognizant:
In many ways, we are living a golden age for television. Technology giants, like Netflix, have raised the bar, spending more than ever before on high quality shows. It has become clear that to keep up, broadcasters need to make sure that they are investing more money on producing shows and films that draw in audiences. But in order to spend additional budget on production, cost savings need to be made elsewhere.
That is why broadcasters are using technology to streamline back-end operating costs. Automating back-end operations is a crucial step towards greater agility, enabling broadcasters to maximise revenue from content. A good example of this is UKTV’s investment in a new broadcast management system to provide greater flexibility to schedule and manage content across its channel brands and support Video on Demand viewing.
Broadcasters also have a chance of winning back customer loyalty through providing a slick customer experience and reducing any friction along the customer journey. Reacting to this challenge, last year the BBC announced it would be using artificial intelligence (AI) to “better understand what audiences want from the BBC". The initiative, launched in partnership with eight UK universities, will take the learnings and directly apply them to the BBC’s UK operations. The use of AI to boost the customer experience and streamline services will crucially enable broadcasters to invest more heavily in the front of screen services. Because ultimately, content is king.
James Gray, Director, Graystone Strategy:
As technology has changed so have subscription models and hence we now have a shift towards Amazon Prime and Netflix from pay TV. There was a time when TV content was consumed by a family with one subscription per household and only one device - a TV - in the house to watch it on.
Now individuals consumers have multiple content subscriptions and many different devices so they can access programmes on the bus, in the park, at the station, by the pool on holiday, and in a different room to another family member. Smart phones and tablets have enabled this, as well as the availability of wifi and more recently better rates for data and data roaming.
But there are some real polar differences as to which customers take which TV service. Graystone segmentation analysis shows that older customers “Settled Seniors” have the lowest take up of Pay TV, with 53% having Pay TV like Sky or Virgin and only 17% taking internet TV models like Netflix or Amazon. Unsurprisingly the Technology Trailblazer segment, which is much younger, has the highest adoption rates - 65% and 56% showing that they are taking multiple subscriptions. It’s a clear indicator of where the market is going and where providers need to place their bets.
The younger segments are also far more transactional, so for example if a show moves from Prime to Netflix they will move too. Amazon’s move into football will no doubt cause some ripples in the market. It illustrates that as well as offering convenience, the content has to be right too. You must know what your customers like and provide more of it - Netlfix is very good at producing original drama for this reason.
What fascinates me is where the subscription economy is going. I can pay for shaving products, gin, dog food even socks on a monthly subscription. We can’t be far away from a time when all subscriptions can be managed under one mega bundle - TV, mobile, broadband, gas, electric, gin, socks, car access, and who knows what else.
As millennials care less about ownership and more about experience and access, we will see more and more subscription models managed via smart phone apps. And for companies that has to be a great thing, particularly if consumers manage their subscriptions like my gym subscription - 36 monthly payments to date and just 5 visits! (But next month I am definitely going more regularly!)
Alistair Thom, Managing Director, Freesat:
With a raft of new entrants in the market and increasing choice for consumers driving change in viewing habits, there’s no argument that TV services in the UK and elsewhere are facing tough challenges. Whether that’s competing for content rights against global companies with huge budgets or facing up to new distribution opportunities offered by online services.
Yet from a Freesat perspective, we believe that Ofcom’s report suggests that new entrants offer a great opportunity for subscription free platforms like ourselves. While On Demand services offer new choice and flexibility for customers, they do not offer all of the content customers want, nor can they offer the same level of shared experience as the “appointment to view” TV moments found on traditional broadcast TV; whether that’s amazing sporting events like the World Cup, global spectacles like the Royal Wedding or this summer’s “OMG TV” in Love Island.
Our research[1] has shown, that the most watched programmes are consistently those available on free channels, even in homes signed up to a pay TV subscription. These pay platforms must now face up to the additional challenge to their business models offered by new entrants with lower monthly fees and no long-term contracts.
I strongly believe that the UK has the best free-to-air TV in the world and while methods of entertainment consumption are clearly evolving, especially amongst younger viewers, there will still be a place for more traditional viewing in the changing media landscape for many years to come.
[1] Freesat carried out omnibus research with OnePoll in May 2017, surveying 2,000 TV subscribers on their TV habits.